Check out another in the series of VFX tutorials "Atmospheric Fog Tutorial" that will show you how to add realistic environmental fog elements with light rays to your shots, created by our good friends over at Action VFX! For more information, please see the details and links below:


Tutorial: How to Composite Atmospheric Smoke & Fog in After Effects

ActionVFX is a stock footage company that creates top of the line VFX assets for professional artists and filmmakers.
For the entire month of May, get 50% off your order by using promo code: PHASE2

Website: actionvfx.com
Facebook: facebook.com/actionvfx
Twitter: @actionvfx
Instagram: @actionvfxofficial
Linkedin: linkedin.com/company/actionvfx



————————————————————

WHO EXACTLY ARE THECGBROS? - https://bit.ly/2IGhYXC

————————————————————

Thanks for SUBSCRIBING -http://bit.ly/2c8Fl8u


Web - TheCGBros http://www.thecgbros.com
YouTube https://www.youtube.com/user/TheCGBro
Facebook https://www.facebook.com/TheCGBro
Twitter https://twitter.com/TheCGBros
Google+ https://plus.google.com/104301021746334584641
Pinterest https://www.pinterest.com/TheCGBros/
Tumblr http://thecgbros.tumblr.com/

————————————————————
Special Thank"s to formaDISSENY for making our logo intro animation!! http://www.formadisseny.com/en/
————————————————————
————————————————————

If you’re a CGI ARTIST, ANIMATOR, FILM MAKER or STUDIO and would like your project showcased on our TheCGBros please visit http://bit.ly/2byguiS

————————————————————

TheCGBros have permission to broadcast this video and or it is part of Creative Commons the http://creativecommons.org/licenses/b.... If you believe this video should not be broadcasted on our channel, please contact legal@thecgbros.com to remedy the situation.

————————————————————

#VFX
#CGI
#TheCGBros
#3D
#Shortfilms
#Breakdowns
#Reels

5K 61

Check out this insightful "Arnold Maya Rendering Tutorial" for rendering of basic interior sunlight conditions created by the talented VFX veteran Jon Tojek.

This is a VFX tutorial that demonstrates how to use Arnold and Maya to create sunlight illuminating an interior room. With the mtoa Arnold plug-in, he shows how to use the aiSkyDomeLight which reads in an HDR skyline image for simulating dusk sunset on a 3D model. Also covered here is Linear Color Workflow, aiStandard shader, and Arnold Ray Sampling.

Maya, Arnold, Autodesk, Solid Angle, VFX, CG, Lighting, Rendering, HDR, IBL, 3D, animation, tutorial, video, film, interior, sunlight

Here is a link to the Maya 2013 file, with textures and HDR environment. dropbox.com/sh/lwywiwe81i31ipo/_TkSe3afe1

For more information on Jon and his fantastic work, check out http://tojek.com/jon/
To check out some more great tutorials check him out here: http://www.youtube.com/user/veniceholidaze

921 34

Check out this great C4D tutorial by the talented VFX artist, Pingo van der Brinkloev! This video shows a simple approach to knitting with hair and mograph in Maxon"s Cinema4d. Thanks to Andy Moorer for feedback and to douwe for making d_Polysize Effector, which is needed for further development of this concept.

Website - www.http://pingo.nu/
Software C4D - http://www.maxon.net/

TheCGBros Channel: https://www.youtube.com/user/TheCGBro
TheCGBros SubScribe -http://www.youtube.com/user/thecgbro?sub_confirmation=1
CGI & VFX Showreels Vol.2 - https://www.youtube.com/playlist?list=PL1dNyhqoSubtLzrIDlGkD5cShfUO59E1r

3.1K 64

TheCGBros Presents "How to Composite 2D VFX Stock Footage Into a 3D Scene using Nuke" Check out another insightful tutorial by the talented team at ActionVFX!

This Nuke Tutorial Will Cover:
-How to camera track a moving camera
-How to create a 3D scene
-How to composite 2D assets into a 3D scene

This tutorial uses our Atmospheric Smoke & Fog Vol. 2 collection. They are located here at https://www.actionvfx.com/collections/atmospheric-smoke-fog-vol-2-stock-footage

ActionVFX provides the best stock footage for realistic Visual Effects. View our collections at: https://www.actionvfx.com/

Facebook - https://www.facebook.com/actionvfx
Instagram - https://www.instagram.com/actionvfxofficial/
Twitter - https://twitter.com/ActionVFX
Linkedin - https://www.linkedin.com/company/actionvfx/

If you’re a CGI ARTIST, ANIMATOR, FILM MAKER or STUDIO and would like your project showcased on our TheCGBros please visit https://bit.ly/2vzkDvR

————————————————————
WHO EXACTLY ARE THECGBROS? - http://bit.ly/2bzGzYQ
————————————————————

Thanks for SUBSCRIBING -http://bit.ly/2c8Fl8u

Web - TheCGBros http://www.thecgbros.com
YouTube https://www.youtube.com/user/TheCGBro
Facebook https://www.facebook.com/TheCGBro
Twitter https://twitter.com/TheCGBros
Google+ https://plus.google.com/104301021746334584641
Pinterest https://www.pinterest.com/TheCGBros/
Tumblr http://thecgbros.tumblr.com/

————————————————————
Special Thank"s to formaDISSENY for making our logo intro animation!! http://www.formadisseny.com/en/
————————————————————

TheCGBros have permission to broadcast this video and or it is part of Creative Commons the http://creativecommons.org/licenses/b.... If you believe this video should not be broadcasted on our channel, please contact legal@thecgbros.com to remedy the situation.

————————————————————

#VFX
#CGI
#TheCGBros
#3D
#Shortfilms
#Breakdowns
#Reels

2.2K 48

Check out this insightful tutorial where you will learn how to use the Sintel Face Rig prototype in order to do facial animation. Some of the core concepts explained are: calibration, interpretation, filtering and animation.

The face rig prototype is an interface based on sliders that controls the shapekeys of the character"s face. It was developed within the driver/constraint system in blender 2.66.

For any questions, you can visit his website here: www.emilioriquelme.com.ar or send him an mail at: emilioriquelme@gmail.com.


Watch more examples and test on the blender artist forum: http://www.blenderartists.org/forum/showthread.php?283637-Face-capture-test"

1.1K 57

In this tutorial, we utilize free textured 3D models from the internet and load them into Maya. We then show you how to import those directly into the Unity game engine.

723 38

Check out another great beginners"s tutorial series from Edge3D with Part 1 of "Zbrush Sculpting a T-Rex" where you will learn how to sculpt a T-Rex Dinosaur with some mechanical parts!

You"ll learn the basics at the beginning of each part of the tutorial before moving onto more advanced techniques. Repeating parts of this series is time-lapsed to save time. All the techniques that are used through the time-lapse phases are explained at the beginning of the video so you should have no problems following along.

Through the time-lapse parts, your instructor Max will commentate general tips and explain some theory behind his sculpting technique.
----------------------------------------­----------------------------------------­---------
In this first part of the Zbrush Sculpting for Beginners series you will cover general UI, navigation using a tablet or mouse, views, matcaps, brushes,alphas, dynamesh,masks and sculpting in general.

The three main topics / tools that will be covered in this part are:
- Using the clay buildup brush
- Move Brush
- DynaMesh

Once you covered the basic tools and techniques you will start off by blocking out the main body of the T-Rex using the move tool and re-dynameshing. At this point it is very important not to get discouraged if your sculpt does not look right. At this stage it is very important to get the main shapes correct and ignore smaller details. Once you have the main block done, you will create a turntable animation before jumping into part two of the series!

If you enjoyed this series make sure you show your support by subscribing to our channel, liking / favouriting the video and dont forget to check out our website and follow us on facebook and twitter.

Hope you enjoyed part one of this series, Stay tuned for more!

Edge-CGI Team
Tutorials - Inspire - News
WEBSITE - http://edge-cgi.com
FACEBOOK - http://www.facebook.com/edge3dcgi
TWITTER - http://www.twitter.com/edge3dcgi


SUBSCRIBE - to TheCGBros for more inspiring content!
http://www.youtube.com/user/thecgbro?sub_confirmation=1

1.1K 45

Check out this extremely useful Photoshop tutorial where you"ll learn the process for creating hand-painted tileable textures within Photoshop! This is a must-know for all artists, so don"t miss it! For more information, please see the credits below.

High Quality Training by Game Industry pros! Check them out at 3dmotive.com! 3dmotive is your one-stop shop for 3d and video game art and animation tutorials. Our software training includes Autodesk"s 3ds Max, Maya, Photoshop, UDK, ZBrush, Unity, and a whole lot more. If you want to learn 3d modeling and game art, 3dmotive has what you need - including beginner, intermediate, and advanced tutorials.


http://www.youtube.com/user/thecgbro?sub_confirmation=1

1.4K 64

Check out this great MotionBuilder tutorial as it covers how to characterize a skeleton created by our good friends over at 3dmotive!. Some pretty cool tips for those interested in learning the basics of character setup! For more great lessons, check them out here: https://www.3dmotive.com

*******************************
High Quality Training by Game Industry pros! Check us out at 3dmotive.com! 3dmotive is your one-stop shop for 3d and video game art and animation tutorials. Our software training includes Autodesk"s 3ds Max, Maya, Photoshop, UDK, ZBrush, Unity, and a whole lot more. If you want to learn 3d modeling and game art, 3dmotive has what you need - including beginner, intermediate, and advanced tutorials.

499 20

In this session, we are going to show you how to create a complex and very cool dynamic nCloth simulation using any polygonal object. Let"s go ahead and jump right in.
Recently, I was asked to create a couple effects, one of a layer of paint peeling off the surface of a car as it screams around a track, and another was for creating an ocean of animated tiles.

Normally, I might create these kind of effects using particles with instanced geometry, with some simple expressions controlling the transforms and other behaviours.

Or instead of using standard particles, I might use nParticles because they offer a much higher level of control due to additional functionality like stickiness, lift and a host of mappable attributes, and while nParticles could take me a long way there, they are often quite unpredictable, and wouldn"t give me the type of physical behaviour that I wanted.

I am going to show you the simple yet little known technique (unless you are are a modeller), that I used to complete both of them---on time, on budget...oh yeah, and looking good. I know you will also find it useful for doing all sorts of different effects.

First, be sure you are working in centimeters by hitting the Animation Preferences button and down to settings. Lets also set the frame range to 300 frames.

You"ll want to start by creating a polygon plane by coming up to the polygon menu, over to create/polygon/plane...and set it to 25 units by 25 untis. We"ll also subdivide the plane by 200 in X and 200 in Y. This gives us a plane with 40,000 square faces. That"s a pretty high resolution, and some of you may get a warning message...Go ahead and go for it, or you can always use fewer subdivisions, it just wont be as cool.

We are using a polyPlane for simplicity"s sake but keep in mind that you can use this technique on any polygon mesh and I"ll show you an example of this later, but remember the higher the subdivions, the longer your simualtion will take to complete.
Finding the delicate balance between simplicity and performance is always a challenge, but that is where the fun lies in creating good looking, efficient effects. And that"s why I really like this approach.

The first thing we need to do is separate the faces in our polyPlane because instead of simulating the plane as a single cloth object, we"re going to simulate each of the faces in our ncloth mesh individually. Here"s the way to getting that accomplished.

Select the polyPlane and right click to enter component selection and select vertex or edges either one will work for this. Drag a selection around all the vertices or edges in the polyPlane. Then, come up to the polygon menu set, and over to edit polygons and down to detach component. This may take a few seconds.

You now have 40000 faces separated within your SINGLE polyPlane object. The mesh is now ready to convert into an nCloth object. With the mesh selected, under the nDynamics menu set, come over to the nMesh pulldown/ and select create nCloth.

Ordinarily, trying to simulate 40000 ncloth objects or more would be next to impossible, so we need to make a couple of very important optimizations. With the ncloth object selected, in the attribute editor under the collisions tab...uncheck self-collision and collisions.

By turning off collisions, you are maximizing the efficiency of the nCloth solver and tapping into some performance that might surprise you. This will allow the nCloth peices to simulate dynamically while ignoring each other and other objects in the scene.

408 12

Check out the next in a series of VFX tutorials called "How to Composite Explosions and Debris Elements inside of Adobe"s After Effects" that will show you how to add a realistic explosions and debris to your FX shots, created by our good friends over at Action VFX! For more information, please see the details and links below:

ActionVFX is a stock footage company that creates top of the line VFX assets for professional artists and filmmakers.
For the entire month of May, get 50% off your order by using promo code: PHASE2

Website: actionvfx.com
Facebook: facebook.com/actionvfx
Twitter: @actionvfx
Instagram: @actionvfxofficial
Linkedin: linkedin.com/company/actionvfx


For the entire month of May, get 50% off your order by using promo code: PHASE2

ActionVFX is a stock footage company that creates top of the line VFX assets for professional artists and filmmakers.
Website: actionvfx.com
Facebook: facebook.com/actionvfx
Twitter: @actionvfx
Instagram: @actionvfxofficial
Linkedin: linkedin.com/company/actionvfx

————————————————————

WHO EXACTLY ARE THECGBROS? - https://bit.ly/2IGhYXC

————————————————————

Thanks for SUBSCRIBING -http://bit.ly/2c8Fl8u


Web - TheCGBros http://www.thecgbros.com
YouTube https://www.youtube.com/user/TheCGBro
Facebook https://www.facebook.com/TheCGBro
Twitter https://twitter.com/TheCGBros
Google+ https://plus.google.com/104301021746334584641
Pinterest https://www.pinterest.com/TheCGBros/
Tumblr http://thecgbros.tumblr.com/

————————————————————
Special Thank"s to formaDISSENY for making our logo intro animation!! http://www.formadisseny.com/en/
————————————————————
————————————————————

If you’re a CGI ARTIST, ANIMATOR, FILM MAKER or STUDIO and would like your project showcased on our TheCGBros please visit http://bit.ly/2byguiS

————————————————————

TheCGBros have permission to broadcast this video and or it is part of Creative Commons the http://creativecommons.org/licenses/b.... If you believe this video should not be broadcasted on our channel, please contact legal@thecgbros.com to remedy the situation.

————————————————————

#VFX
#CGI
#TheCGBros
#3D
#Shortfilms
#Breakdowns
#Reels

1K 19

In this tutorial, Emiel Sleegers will give a quick overview of the Octane Render software and covers how the interface works as well as importing a quick model and setting it up with some nice lighting. For more information, please see the details and links below:

High Quality Training by Game Industry pros! Check them out at 3dmotive.com! Use offer code CGBROS for 30% off! 3dmotive is your one-stop shop for 3d and video game art and animation tutorials.

Their software training includes Autodesk"s 3ds Max, Maya, Photoshop, UDK, ZBrush, Unity, and a whole lot more. If you want to learn 3d modeling and game art, 3dmotive has what you need - including beginner, intermediate, and advanced tutorials.

SUBSCRIBE - to TheCGBros for more inspiring content!
http://www.youtube.com/user/thecgbro?sub_confirmation=1

322 26

Check out this insightful game tutorial where you"ll learn the basics of getting your skeleton, mesh and animation out of Maya, and into UDK created by the talented folks over at 3dmotive! You"ll also be learning how to get your assets into a scene, and setup all of the necessary properties in order to get your animation playing in-game! For more information, please see the credits below.

https://www.3dmotive.com


High Quality Training by Game Industry pros! Check them out at 3dmotive.com! 3dmotive is your one-stop shop for 3d and video game art and animation tutorials. Their software training includes Autodesk"s 3ds Max, Maya, Photoshop, UDK, ZBrush, Unity, and a whole lot more. If you want to learn 3d modeling and game art, 3dmotive has what you need - including beginner, intermediate, and advanced tutorials.


http://www.youtube.com/user/thecgbro?sub_confirmation=1

312 21

This is part 2 in the series on creating a complex and very cool nCloth simulation using polygonal objects.

In part 1, we left off after setting up our ncloth object and creating a volume axiz field to drive the simulation. Lets continue on.

We"ve rotated our volume axis field 45 degrees, now I"ll also place it at one corner of the nCloth object... and then set a keyframe by the hightlighting the translate channels, RCing and set a key on selected. I"ll also come down here and turn on Auto keyframe.

I"ll hit the back 1 frame button to go to the end of the timeline, and move the volume Axis field to the opposite corner of the nCloth object. This will move the volume field thru the nCloth object from one corner to the other, over the duration of the timeline.

Now, I"ll do a playblast of the simulation so we can see how this is looking, so I"ll pause it and come back when it"s done...

Ok, that took about 12 minutes on my i7 laptop. Let"s play it back. I am really happy with how this is coming along. I"ve got a cool turbulence and upward force acting on the nCloth. You might be noticing that the noise pattern on the leading edge is looking kinda static and hard from aesthetic point of view. Thats because we haven"t animated it yet.

Let"s take care of that right now with a quick animation expression. Don"t be afraid of expressions, they are your friend. They can save you countless hours of mainpulating keyframes because of their procedural function. You set the rule, and the expression does the rest...no need to keyframe.

Let"s try it on the Turbulence offset. The Turbuence offset moves the turbulence grid thru space an the axis that we animate. In the first channel, RC and create a new expression and name it something meaningful. I"ll name mine Vol_FreqOffset.
Copy Ctl-C the "selected object and attribute name" and paste it Ctl-V, into the expression field... hit the equals and paste again and again. Then, change the variable in the second segment to Y and and change the variable in the third segment from X to Z.

This makes X = to Y and Y = to Z and they are all equal to something. Now you"ll tell these channels how quickly to animate the offset on the turbulence grid thru these channels.

After the equals symbol, enter time. This will set the offset to animate based on Maya"s internal time node. This may be too fast for what I a looking for so after "time" I am going to add *.35 and hit the edit button. I"ll hit playblast again.

The expression is telling these attributes to animate the Offset channels values at about one-third the speed of time. Just change the values to experiement around and try setting expressions on any of the other channels to drive some customized motion. I"ll pause it here and come back when it"s done.

Ok, we can now see some nice motion on the leading edge as well as in the body. I am really happy with this, but I"m feeling that the motion is moving too quickly both in turbulence and in height.

Select the field and again under volume speed attributes, change the Along Axix strength down to 2, and RC on one of the channels that has our expression driving the speed of the Turbulence Offset and Edit. Reduce it from .35 to .15 and hit the edit button.
I"ll do another playblast and come back when it is done. That looks great, I am happy with this.

When you like what you have, cache out the simulation by selecting your nCloth and coming up to nCache/ create nCache and be sure to set it to one file, and hit create. A strong word to the wise here: You should always cache out your simulation before you render it. Yes, it takes a bit more time, but when your render is jacked and your boss is pissed, you"ll remember this wisdom.

Here is the same technique done on the model of a head...
I am sure all sorts of possibilities are starting to go thru your mind . Try using a uniform or radial or newton field instead.

And Once your simulation is cached you might select all the faces and extrude them, and you might add a few non-linear deformers like waves, sines and bends, or you might even want to emit particles from them, go nuts!

With the nCloth selected, go to the nulceus node and over to wind noise and set it to .01, and play a few frames onto the animation. Pretty slick huh? You might set the initial state and animate from there or and duplicate the object nCloth object to get a static mesh.

You may find that you need a much higher level of control than animating numerous feilds and collision objects and such but they will take you a long way.. Stay tuned to the CGBros where I"ll show you how to control your nCloth object with animated textures. See you then.

415 22

Check out another insightful tutorial by our friends over at Action VFX! In this tutorial, Alan Fire shows how to add mattes to make our Explosions erupt from the other side of a large building.

————————————————————
Download background plate at:
https://www.actionvfx.com/blog/tutorial-creating-mattes-in-after-effects
————————————————————
ActionVFX provides the best stock footage for realistic Visual Effects. View our collections at: https://www.actionvfx.com/

Original video link: https://www.youtube.com/watch?v=gBKtjvWcFx4

https://www.facebook.com/actionvfx
https://twitter.com/actionVFX
https://www.instagram.com/actionvfxofficial/

————————————————————

WHO EXACTLY ARE THECGBROS? - https://bit.ly/2IGhYXC

————————————————————

Thanks for SUBSCRIBING -http://bit.ly/2c8Fl8u

Web - TheCGBros http://www.thecgbros.com
YouTube https://www.youtube.com/user/TheCGBro
Facebook https://www.facebook.com/TheCGBro
Twitter https://twitter.com/TheCGBros
Google+ https://plus.google.com/104301021746334584641
Pinterest https://www.pinterest.com/TheCGBros/
Tumblr http://thecgbros.tumblr.com/

————————————————————
Special Thank"s to formaDISSENY for making our logo intro animation!! http://www.formadisseny.com/en/
————————————————————

If you’re a CGI ARTIST, ANIMATOR, FILM MAKER or STUDIO and would like your project showcased on our TheCGBros please visit http://bit.ly/2byguiS

————————————————————

TheCGBros have permission to broadcast this video and or it is part of Creative Commons the http://creativecommons.org/licenses/b.... If you believe this video should not be broadcasted on our channel, please contact legal@thecgbros.com to remedy the situation.

————————————————————

#VFX
#CGI
#TheCGBros
#3D
#Shortfilms
#Breakdowns
#Reels

747 18

Check out this in-depth tutorial on Polypainting in zBrush as Stephen covers all the need-to-know basics of an essential tool within the zBrush workflow: Polypainting! A great intro to this topic, so don"t miss it! Created by our good friends over at 3dmotive. For more great tutorials, please check them out here:

https://www.3dmotive.com/

288 23

Check out this useful tutorial where you"ll learn how to create a 3D scene from a 2D image using camera mapping inside of Maya! This awesome technique can be used to easily create some amazing results.

If you enjoyed this tutorial take a look at all of the tutorials available on their website.

PROJECT FILES - http://studiofourmedia.com/camera-map...
WEBSITE - http://studiofourmedia.com/
TWITTER - https://twitter.com/studio4media

This tutorial was originally published by Tom Meade in his book "Maya 6: the complete reference guide" Although this book is a little outdated it had a profound influence on my visual effects career and I highly recommend taking a look at it. You can find it here:

http://www.amazon.com/Maya-Complete-R...For more information, please see the details and links below:

SUBSCRIBE - to TheCGBros for more inspiring content!
http://www.youtube.com/user/thecgbro?sub_confirmation=1

688 23

Check out another great tutorial from Edge3D, this time you"ll learn how to model the "Minion" character. For more tutorials and information, please contact them at Edge3Dcgi"s Website: www.edge-cgi.com

...or on Edge3Dcgi"s Facebook: https://www.facebook.com/edge3dcgi

Be sure to check out more tutorials at Edge3Dcgi"s YouTube Channel: www.youtube.come/edge3dcgi

345 15

Check out this insightful modeling tutorial called "Modeling a Cartoon Cat" character in Autodesk Maya - Using Reference Image Setup, created by our good friends over at Edge3D! Misterh3D will model a cartoon cat from a polygon primitive. The key to modeling characters is getting the basic shapes first with the correct edge loop flow and then adding detail later. This tutorial will demonstrate a simple straight forward approach to modeling that can be applied to any character.

This is an intermediate tutorial and is not intended for those who are brand new to Autodesk Maya.

Misterh3D"s YouTube Channel : http://www.youtube.com/user/misterh3d...

Download reference images here:

https://drive.google.com/file/d/0Bxg-...
https://drive.google.com/file/d/0Bxg-...

TheEdge3Dcgi Team
Tutorials - Inspire - News
www.edge-cgi.com

259 17

Check out this great lesson where we"ll be learning how to easily create overlapping motion on an animated object by using very few keys and the power of the graph editor created by our good friends over at 3dmotive! For more information on 3dmotive, please see below.

*******************************
High Quality Training by Game Industry pros! Check us out at 3dmotive.com! 3dmotive is your one-stop shop for 3d and video game art and animation tutorials. Our software training includes Autodesk"s 3ds Max, Maya, Photoshop, UDK, ZBrush, Unity, and a whole lot more. If you want to learn 3d modeling and game art, 3dmotive has what you need - including beginner, intermediate, and advanced tutorials.

310 14

Check out another great beginners"s tutorial series from Edge3D with Part 2 of "Zbrush Sculpting a T-Rex" where you will learn how to sculpt a T-Rex Dinosaur with some mechanical parts!

You"ll learn the basics at the beginning of each part of the tutorial before moving onto more advanced techniques. Repeating parts of this series is time-lapsed to save time. All the techniques that are used through the time-lapse phases are explained at the beginning of the video so you should have no problems following along.

Through the time-lapse parts, your instructor Max will commentate general tips and explain some theory behind his sculpting technique.

If you enjoyed this series make sure you show your support by subscribing to our channel, liking / favouriting the video and dont forget to check out our website and follow us on facebook and twitter.

Hope you enjoyed part two of this series, Stay tuned for Part 3!

Edge-CGI Team
Tutorials - Inspire - News
WEBSITE - http://edge-cgi.com
FACEBOOK - http://www.facebook.com/edge3dcgi
TWITTER - http://www.twitter.com/edge3dcgi


SUBSCRIBE - to TheCGBros for more inspiring content!
http://www.youtube.com/user/thecgbro?sub_confirmation=1

264 25

Check out this useful and quick introduction to the UV Texture Editor within 3DS Max. In this video, you"ll learn how to navigate quickly around the interface, the major tools in the Editor and then how to easily manipulate the UV vertices and entire UV sets. For more information, please visit them here: www.3dmotive.com

High Quality Training by Game Industry pros! Check em out at 3dmotive.com! 3dmotive is your one-stop shop for 3d and video game art and animation tutorials.

Their software training includes Autodesk"s 3ds Max, Maya, Photoshop, UDK, ZBrush, Unity, and a whole lot more. If you want to learn 3d modeling and game art, 3dmotive has what you need - including beginner, intermediate, and advanced tutorials.


SUBSCRIBE - to TheCGBros for more inspiring content!
http://www.youtube.com/user/thecgbro?sub_confirmation=1

193 7

In this tutorial, Alan Fire shows us how to composite ActionVFX Water Blast and Splash elements inside of After Effects.

Download background plate at: https://www.actionvfx.com/blog/tutorial-using-water-blasts-and-splashes-in-after-effects

ActionVFX provides the best stock footage for realistic Visual Effects. View our collections at: https://www.actionvfx.com/
For more information, please see the details and links below:

————————————————————

WHO EXACTLY ARE THECGBROS? - https://bit.ly/2IGhYXC

————————————————————

Thanks for SUBSCRIBING -http://bit.ly/2c8Fl8u

Web - TheCGBros http://www.thecgbros.com
YouTube https://www.youtube.com/user/TheCGBro
Facebook https://www.facebook.com/TheCGBro
Twitter https://twitter.com/TheCGBros
Google+ https://plus.google.com/104301021746334584641
Pinterest https://www.pinterest.com/TheCGBros/
Tumblr http://thecgbros.tumblr.com/

————————————————————
Special Thank"s to formaDISSENY for making our logo intro animation!! http://www.formadisseny.com/en/
————————————————————

If you’re a CGI ARTIST, ANIMATOR, FILM MAKER or STUDIO and would like your project showcased on our TheCGBros please visit http://bit.ly/2byguiS

————————————————————

TheCGBros have permission to broadcast this video and or it is part of Creative Commons the http://creativecommons.org/licenses/b.... If you believe this video should not be broadcasted on our channel, please contact legal@thecgbros.com to remedy the situation.

————————————————————

#VFX
#CGI
#TheCGBros
#3D
#Shortfilms
#Breakdowns
#Reels

391 13

In this tutorial we take a character that is side-stepping to the right with a rifle in his right hand and quickly exactly mirror the movements so he his now side-stepping to the left with the rifle in his left hand.

Music: Positively Dark
www.entropymusic.com

131 6